(Courtesy of Ignacio Gomez)

• Click here to listen to this article

See more from the L.A. Times in Google Search. Set us as preferred

The classic Chicano film “Zoot Suit” is celebrating its 45th anniversary this year in style.

The Golden Globe-nominated movie, featuring a lead performance by Edward James Olmos, was based on a stage play penned by legendary screenwriter and director Luis Valdez, who drew inspiration from a pamphlet about the 1942 Sleepy Lagoon murder case and the riots that it sparked.

On Thursday it was announced that the flick will be screened at The Ford amphitheater on July 8 to honor its notable benchmark and enduring legacy. The special screening will include a conversation with Valdez, Olmos and actor-educator Cristina Frías, who will discuss the movie’s production, influence and place in the L.A. film canon.

“‘Zoot Suit’ changed the way our stories could be seen on screen,” Olmos said in a statement. “It gave voice to a history that many people had never been taught and showed the beauty, strength and complexity of the Chicano experience. Forty-five years later, the film continues to inspire because it is about more than one moment in time. It is about identity, dignity and the responsibility we have to remember where we come from.”

The screening will also feature a vintage car show put on by the Pachuco Car Club, which will showcase the rides reminiscent of the time period shown in the movie.

In June 1943, L.A. was engulfed in the lawlessness and violence that became known as the Zoot Suit Riots. The name is misleading because it suggests that the zoot suiters — the young Mexican, Black and Filipino men and boys who wore the flamboyant outfits — were the perpetrators.

In fact, they were the victims.

The attacks by servicemen and white Angelenos on zoot suiters, derided as “gamin dandies” in The Times, were driven by prejudice and the anti-immigrant attitudes of the era. The roots of the unrest can be traced to events that occurred more than a year earlier — such as the incarceration of Japanese Americans after Pearl Harbor, as well as the murder of a young man, which was later known as the Sleepy Lagoon murder case.

In his 1981 review of the film, The Times’ former film critic Kevin Thomas praised Valdez’s direction and the strength of the cast.

“Valdez has captured well many of the elements of the era that contributed to the fate of the Sleepy Lagoon defendants — the sensationalist press, the feverish patriotism of wartime and the rampant bigotry directed at all minorities,” Thomas wrote. “At the same time, Valdez makes clear that various people outside the Mexican-American community helped in the struggle to mount an appeal for the Sleepy Lagoon defendants. And he questions the entire validity of the switch-bladed, cynical pachuco mystique as [Daniel Valdez’s] Henry comes to realize that El Pachuco [Olmos] is at once his best friend — and worst enemy.”

The original 1979 Broadway run of the “Zoot Suit” play catapulted Olmos to the national stage and led to him getting a Tony nomination for best featured actor in a play.

“It was a monumental moment in time, and we captured lightning in a bottle,” Olmos told The Times in 2023. “Not only did it change the course of Latinos in theater but it touched the very soul of the culture. It was catching the voice of the pachuco.”